WOODLAND is an exploration of non-linear film making, memory and fantasy are given just as much importance and immediacy as the present. As a young girl comes to terms with a trauma she has suffered, concepts of time are stretched, subverted and destabilised. Through the absence of dialogue, both naturalistic and non-naturalistic sounds are heightened by the sense of place, time, mood and the way in which the story is told. Similarly the camera moves fluidly between subjective and objective stances. The viewer travels through a familiar and yet indistinguishable world where the lines between memory, fantasy and reality converge.