We are in Rome wavering from a neo-realistic style to an ironical style, where a typically Fellinian character of a prosperous prostitute helps a lost priest to change a tire of a Vatican luxurious Limousine. This encounter, notwithstanding the social and moral conventions, turns into a unique experience for both of them, giving a human cliché to the young man's spirituality and a spiritual touch to a young girl that is even too human.